Artist of the Month
August 2018
Mary Van Cline
Mary Van Cline is best known for her pioneering cast sculpture using photosensitive glass. Her black and white photo images tell a narrative story about the passage of time and healing. In addition to numerous awards, she was interviewed over several days for the National Archives of American Art, Smithsonian Institution Oral History Program, where you can listen to her recorded story. Mary Van Cline is represented by Bender Gallery, Asheville, North Carolina.
Click on each photo to the right for a full picture.
Ivory Figure with Jade Hanging Ferns; 48 inches high x 48 inches wide x 7 inches deep
Cycle of Relationship of Time; 25 inches high x 25 inches wide x 6 inches deep
Gold and Amazon Green Inochi; 40 inches long x 10 inches wide x 10 inches high
Floating Sea of Time; 26 inches high x 15 inches wide x 5 inches deep
Jade Gold Inochi; 40 inches long x 10 inches wide x 10 inches high
Inochi Installation
Ice Leaves, nested stack of three; 7 feet long x 3 feet wide x 18 inches high (large photo also shows works on paper)
Mary Van Cline
August 2018
Therman Statom
July 2018
Michael Taylor
June 2018
Louis Sclafani
May 2018
Peter Wright
April 2018
Preston Singletary
March 2018
George Bucquet
February 2018
Yukito Nishinaka
January 2018
Bertil Vallien
December 2017
Mel Douglas
November 2017
Stephan Cox
October 2017
Madelyn C. Ricks
September 2017
Wesley Neal Rasko
August 2017
Latchezar Boyadjiev
July 2017
Carmen Vetter
June 2017
Blanche Tilden
May 2017
Marvin Lipofsky
April 2017
Susan Rankin
March 2017
Robert Wynne
February 2017
Jennifer Caldwell
January 2017
Joshua Bernbaum
December 2016
Dante Marioni
November 2016
Deanna Clayton
October 2016
Sharon Owens
September 2016
John Kiley
August 2016
Micha Karlslund and Steffen Dam
July 2016
Lino Tagliapietra
June 2016
Vivian Wang
May 2016
Hannah Kirkpatrick
April 2016
Josepha Gasch-Muche
March 2016
Maureen Cahill
February 2016
Brook Forrest White, Jr.
January 2016
Dean Allison
December 2015
Michael Schunke
November 2015
Marvin Lipofsky
October 2015
Paul Schwieder
September 2015
Anna Mlasowsky
August 2015
Karsten Oaks
July 2015
Toots Zynsky
June 2015
Donald Friedlich
May 2015
Keith Clayton
April 2015
Stani Jan Borowski
March 2015
Alexander Fekete
February 2015
Matthew Fine
January 2015
Kirstie Rea
December 2014
Joshua Hershman
November 2014
David Willis
October 2014
Martin Rosol
September 2014
Karen Bexfield
August 2014
Bruce Pizzichillo
July 2014
Jamie Harris
June 2014
Ethan Stern
May 2014
Jason Chakravarty
April 2014
Emma Varga
March 2014
Charlie Miner
February 2014
Stephan Cox
January 2014
Peter Bremers
December 2013
KeKe Cribbs
November 2013
Lino Tagliapietra
October 2013
Matthew Curtis
September 2013
Karina Guevin and Cedric Ginart
August 2013
Tom Philabaum
July 2013
Wilfried Grootens
June 2013
Emanuel Toffolo
May 2013
Alessandro Casson
April 2013
Jon Goldberg
March 2013
Brian Russell
February 2013
Michael Janis
January 2013
Vaclav Cigler
December 2012
Kelly O’Dell
November 2012
Ruth McCallum-Howell
October 2012
Lucy Lyon
September 2012
Stephanie Trenchard
August 2012
Thomas Scoon
July 2012
Nancy Callan
June 2012
Sibylle Peretti
May 2012
Leslie Ann Genninger
April 2012
Laura Donefer
March 2012
Anna Boothe
February 2012
Shayna Leib
January 2012
Bertil Vallien
December 2011
Ann Wolff
November 2011
Cathy Strokowsky
October 2011
Brook Forrest White, Jr.
September 2011
Tim Tate and Marc Petrovic
August 2011
Philip Baldwin and Monica Guggisberg
July 2011
Shayna Leib
June 2011
Joseph Cavalieri
May 2011
Brian Russell
April 2011
Joseph Harrington
February 2011
Peter Kovacsy
January 2011
Susan Silver Brown
December 2010
Michael Glancy
December 2010
Wayne Pearson
October 2010
Binh Pho
September 2010
Richard Jolley
August 2010
Joyce J. Scott
July 2010
Mark Peiser
June 2010
Howard Ben Tre
May 2010
Miriam Di Fiore
April 2010
The Art Alliance for Contemporary Glass is a not-for-profit organization whose mission is to further the development and appreciation of art made from glass.
The Alliance informs collectors, critics and curators by encouraging and supporting museum exhibitions, university glass departments and specialized teaching programs, regional collector groups, visits to private collections, and public seminars.
