The forcefulness and immediacy of his work evoke strong responses. People want to follow him, watch his next steps, the constant stream of ideas that reflect his sense of exploration: an exquisitely cut geometric crystal sculpture set against a brutal, rusted steel backdrop, volcanic bursts of cut glass spewing from a steel-encrusted base, sensuous layers of transparent color intermingling with ambient light. He does not shy from “grotesque”, nor is he afraid of “pretty”. His work reflects the pace of his activity, his feelings and sensitivity to others, a curiosity and enthusiasm for bringing new dimensions to his sculpture.

There are many artists that come to mind when I consider Alex’s work, many of whom worked in the late fifties, early sixties, an era of expressionism in art that brought viewers in direct contact with the artist and his emotions. I am sure that others will seek to employ Alex’s methods, but none will achieve the depth of expressionism, his ability to depict the emotions and responses that objects and events arouse in him. This is the underlying strength of his work in glass.

-Alice M. Chappell, Chappell Gallery-